Madeira Mondays: Return to The Highland Folk Museum

Long-time readers of the blog might remember a post from last summer when I visited The Highland Folk Museum, a wonderful little open air museum nestled in the Cairngorms National Park. Me and my traveling companions were so enthralled with the museum after that first visit that we determined we needed to return, as soon as travel was permitted again in Scotland. So, this June, that’s actually what we did!

If you’ve not had a chance to read that first post about The Highland Folk Museum, I’d recommend it. The property is massive (80 acres) and covered in buildings recreating different eras of Scottish history, from the 1700s through the 1960’s. There is so much to take in. I decided to cover different aspects in each of my posts. That first post covers the recreated 18th century village in the museum, where bits of Outlander was filmed, and where we spent most of our time during our last visit. Whereas this post will be more focused on the rest of the park, which we explored this time around.

This place is so unique and honestly doesn’t feel touristy at all. It truly does give you a slice of Highland life, and how ordinary people used to live. We marveled at not only how detailed all the recreated buildings were (so many little items from frying pans to kettles to quilts!) but also how well kept they were. We didn’t see any dust. Some of the surfaces were even cleaner than my own desk at home! It’s clearly a museum created and maintained with attention, affection and care.

Here are a few of the highlights from our trip this time around…

My favorite thing we saw this time was not actually a building. We were lucky enough to arrive at exactly the moment that they were shearing the sheep! I’ve never seen sheep sheared before and wow – what a process!

Those sheep were thrashing about and it really looked like hard work.

I was surprised that the wool came off in big swathes, almost like blankets, not little tufts.

We got to see the sheep hosed down afterwards with a pink spray, which it turns out was to ward off the flies (who could lay eggs in any cuts the sheep might have gotten, which could then get infected).

In addition to the sheep, we also met some Highland cows.

We saw so many great buildings too – a recreated post office, railway waiting room, sweet shop, and several homes (most of these were depicting periods from the late 1800s through to the 1950s).

Inside the recreated early 1900s post office

There was also a shinty field and we learned about the history of shinty (an ancient and historically very brutal Scottish sport which is still played now – in a more tame manner! Apparently Scottish emigrants also brought it to Canada, leading to modern ice hockey).

My favorite building that we saw on this trip was a 1930s school house. This was probably my favorite because the guide that we encountered there was so knowledgable about schooling during this period. We heard all about the (usually orphaned) ‘overspill’ children from Glasgow who were shipped away to the Highlands for a ‘better life’ and education in school houses like this. And we heard about the brutal corporal punishments used on students for all manner of offenses, and also about how students were beaten for speaking Gaelic (you had to speak English in schools).

(I appreciated how the guide didn’t sugarcoat any of this, and the Highlands does have a rather sad history: from the Highland Clearances, to forced emigration to the U.S or Canada due to lack of work and opportunities.)

All in all I’m so happy that we travelled back to the Highland Folk Museum and were able to explore it in its entirety. The fact that it’s an open-air museum which allows you to be in the breathtaking landscape as you explore all the buildings is a major bonus. And, in a place where the landscape is so linked to the people, the buildings and the culture, being outdoors is another way to learn about Scotland’s past and present. (And maybe you’d get lucky enough to catch a sheep shearing like we did!)

My recommendation if you visit is to buy a guide book: they’re only a fiver at the door and, without it, you wouldn’t get as rich an experience. There aren’t plaques or explanations outside every building, and, when we visited, not many staff about (possibly due in part to Covid), so it’s basically essential to get the guide, which is packed with great information about how each building was recreated. And I wanted to buy one too: it’s extremely cheap to visit the museum (we only paid a five pound donation total for entry for all three of us!!). We also stopped into the delightful little cafe on site and the gift shop too – wanting to support the work of the museum. (Also, the baked goods were tasty!)

If, like me, you enjoy learning about social history and people’s daily lives in the past, you’ll love this museum. I hope that you enjoyed this virtual ‘visit’, and let me know what you think of it. I’ve linked some info below if you are planning a visit, as well as some more resources if you want to learn more. 🙂

Stay tuned for another Highland-themed post in the next ‘Madeira Mondays’!

Links:

PS Not Highland Folk Museum related, but last week I had the pleasure of being interviewed by the Loud Poets on their wonderful podcast The Loudcast. As most of you know, part of my job is writing and performing poetry, and this interview was an in-depth conversation about my experiences writing for different audiences, bringing empathy and humor to ‘political poetry’ and lots more. They released the podcast episode just yesterday so wanted to pop it here if you’re interested in checking it out!

‘Madeira Mondays’ is a series of blog posts exploring 18th century history and historical fiction. Follow the blog for a new post every other Monday and thanks for reading!

Madeira Mondays: Why 18th century pockets were pretty great

Lucy Locket lost her pocket

Kitty Fisher found it

not a penny was there in it

only ribbons round it.

When I first heard that nursery rhyme as a kid, I was confused. How could somebody lose a pocket? Aren’t they like…sewn inside your clothes? A pocket is not the sort of thing that could fall out of a pair of jeans.

It was only much later when I was researching 18th century women’s clothes that I discovered that women’s pockets of yesteryear were very different to the pockets that were sewn into my modern clothes. In the 18th century, women did have pockets, but they were separate pieces of clothing – they looked like little sacks that you tied around your waist with a bit of ribbon or string. Kind of hard to explain verbally, but it makes sense when you see them! Check out this image below.

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Madeira Mondays: Inside an 18th century bedroom

A few weeks back, I took you inside The Georgian House with me and we visited an 18th century parlor. We talked a bit about education, the hobbies and pursuits of the Georgian elites, as well as globes and mapmaking, tea ceremonies and more. If you’re curious to read that post, you can check it out here!

This week, we’re going back into The Georgian House – the recreated 18th century townhouse here in Edinburgh where I volunteer. The townhouse is a ‘show house’, not a traditional museum, so if you were to visit you could see a house fully furnished with 18th century art and objects, giving you a sense of what daily life was like back then for those living in Edinburgh’s New Town. Each room in The Georgian House offers a glimpse into a different aspect of the past, and it’s very hard for me to pick a favorite, but I do love showing visitors around the bedroom, which is where we’re heading today!

The bedroom in The Georgian House

In the photo above, you can see the elegant four-poster bed (made in 1774 for Thomas Hog of Newliston, near Edinburgh). A bed is, of course, totally something you’d expect to find in, well, a bedroom, so no surprise there, but what a lot of guests are surprised by is how multifunctional bedrooms were in the 18th century.

Seating in the bedroom for socializing

These days, I think we tend to think of bedrooms as quite private spaces, perhaps tucked away on the upper floors of houses and not really a space where you’d gather if you had friends over. But – and I could go into this in greater depth in another post – the concept of private, individual spaces was different back then. In the 18th century it was still very common (even in wealthy households) for bedrooms to be shared among members of that family and, as you can see from the photo above, bedrooms were also places for socializing with guests. The bedroom at The Georgian House might have been used as an informal breakfast room, or ladies sitting room – which would have allowed the hosts the show off their four-poster bed – which was a bit of an 18th century status symbol!

Another difference between bedrooms then and now, which guests often find surprising, is that there were no coat hangers during this time period! Clothes were folded up and stored in drawers, rather than hung in wardrobes. Coat hangers weren’t invented until the later part of the 19th century, so you won’t find a wardrobe or a closet in an 18th century bedroom for hanging up your clothes! (This is so interesting to me – how this one invention really changed the whole layout of a space.)

One final thing I wanted to show you in the bedroom is the medicine chest. This is probably my favorite object in the bedroom!

The medicine chest in The Georgian House

Most houses would have had some sort of medicine chest stocked with remedies for minor ailments. A visit from a physician was expensive, and, especially if you were located further outside of the city, it often wasn’t even possible. Or, at least, it would take the doc a long time to reach you! It was common (and I know this was true in Colonial America too) for the lady of the house to take care of the entire household, including servants, if one of them got sick, especially if it wasn’t something major. This medicine chest is from 1830 and retains 22 out of its original 29 bottles. Some of the contents are things we would recognize today – Epsom salts and peppermint oil, for example. Some are things that we definitely wouldn’t be able to get over the counter now, like laudanum, derived from opium.

The chest would have come with detailed instructions about how to use its contents and recommended doses. There were also books available at the time, such as the popular Domestic Medicine by William Buchan (1772), which explained home remedies for all sorts of things. It’s worth a flip through if you’re curious.

There are so many more aspects of the bedroom at The Georgian House that I could go into, but I’ll leave it there for now! I didn’t even touch on personal hygiene, bathing (or lack thereof!) and all that jazz, so if you’d like a post about about that stuff – let me know! In the meantime, I’ll leave you with a couple of recommended further readings, and thank you again for joining me this Monday! At some point in the upcoming weeks, we’re going into the dining room (yay! food!) and the kitchen (yay! more food!) of The Georgian House. See you then!

Recommended Further Reading:

William Buchan’s Domestic Medicine (1772) – Buchan was an Edinburgh physician and this book was popular in both the UK and the soon-to-be USA

Our Own Snug Fireside: Images of the New England Home 1760-1860 by Jane Nylander (okay, so this one is technically not about Scottish homes of this period, but a lot of the customs were transatlantic and this is a great window into domestic life in this time period)

‘The Edinburgh medicine cabinet and the city high life’, article in The Scotsman newspaper (goes into a lot more detail about the dangerous over-uses of laudanum in the period)

And if you’d like to book tickets to visit The Georgian House, you can do that here. Definitely check their opening times (which have been reduced and changed due to Covid) and they recommend booking in advance! If you fancy coming along on this upcoming Saturday Oct 24th, I’ll be there (hi!) and would love to talk with you more about all things Georgian!

‘Madeira Mondays’ is a series of blog posts exploring 18th century history and historical fiction. Follow the blog for a new post every Monday and thanks for reading!

 

Madeira Mondays: A Visit to a Georgian Parlor

The fire is crackling and you huddle close to it on a cold Edinburgh morning. Next to you, you hear the scratch of a quill pen as your mother writes a letter and the clink of a silver spoon in a cup as your sister makes tea. Perhaps you’ve got a book in your lap – one of the many being published in Edinburgh these days, a city steeped in Enlightenment thinking. Perhaps it’s a riveting historical novel by Walter Scott. Or maybe you’re not reading at all but doing some needlework, or studying one of the globes – the terrestrial one, perhaps, that shows the ever-changing map of the world: when new discoveries are made, they will be papered over the old ones.

These are the sorts of scenes I like to imagine when I’m volunteering at The Georgian House. I was so delighted to return last week to my volunteer job, as a historical guide at the recreated late-18th century townhouse here in Edinburgh. It was wonderful to be in the house again and, especially, to welcome visitors. As you know from reading this blog, I love chatting with people about daily life in the 18th century  and last week was no different. I had several fascinating conversations with visitors about what sort of pets they might have had in Georgian times, what kind of books they read, and how they drank their tea. People, I think, love to zoom in on these little details – it’s why I love ‘social history’ so much. Learning about dates and about big political movements is, of course, very important – but I usually want to know what people had for breakfast.

A couple of months back, I told you that I’d planned to write a series of blog posts focusing on different rooms within The Georgian House and explaining what they were each used for. I even published the first post: ‘Inside a Georgian Drawing Room.’ Now that the house is opened back up again for visitors, I thought it would be a great time to resume the series and to go room by room, showing you some of my favorite objects in each. I’ll also talk a little bit about what people living and working in an upscale Georgian townhouse would have done in each room.

This week – I wanted to show you the parlor.

The Parlor at The Georgian House in Edinburgh

A parlor is like a family sitting room. It’s a living room, basically, in contrast to the more formal, grand drawing room that I talked about in my other post. This is where the family would relax and pursue hobbies, like in that scene I described above. They might write letters, read books or the newspaper, or have friends over for tea.

Jean-Baptiste Simeon Chardin; A Lady Taking Tea; Hunterian Art Gallery, University of Glasgow

Afternoon tea was a popular activity and there was a lot of ceremony attached to it. It was one of the ‘polite accomplishments’ of young women to be able to blend a good cup of tea (green or black or a mix) for her guests. Tea was taxed in this period (we know all about that in America, right? The colonists weren’t too happy about it! See: the Boston Tea Party. I can definitely do a post on what exactly the ‘Boston Tea Party’ was, and what led up to it, if you’re curious). Since it was so expensive, it was kept under lock and key in caddies or drawers.

The table all set up for tea – note the tall, almost trophy-looking thing which was the ‘water urn’. That’s where they kept the hot water. It held a piece of iron inside that was heated on the fire and then inserted inside, to keep the water hot.

Kids were also allowed in the parlor and would have spent time with their parents in this room. Their mom might have taught all her children the basics of reading and writing, but of course education was then rapidly split based on gender. While both elite boys and girls would have things like music and dance lessons, boys would also learn about history, geography, languages (like Latin), and philosophy. They could go to a university and study law, medicine, theology etc. Girls, on the other hand, were taught domestic things  to prepare them to be wives (how to be a good host, how to sew, how to deal with servants and with basic household budgets maybe). We’re talking about elite women and men here, the wealthiest members of society.

These diverse educations were so that they prepared men and women to enter what was believed to be their sphere: for boys, that was the public sphere. For girls: the private, domestic one. (This distinction is crucial, I think, to understanding why, for instance, women had such trouble securing the right to vote many decades later. The public, political sphere was thought to be a man’s domain. So when he voted, he was voting for the entire household, in theory. Yes, this way of thinking is repressive, of course. But that’s how it was. In general, people were not given equal access to education, not just based on gender, but also race and class).

In addition to receiving an education in this room, kids (and adults) might also have played games. There’s a chess board on display and a popular game for kids was ‘ball and cup’ (which is where you try to get a ball…into a cup. But trust me, it’s harder than it sounds!).

A chess board from the period and, above that, a little girl’s ‘sampler’. Samplers were common in this period and they were places where young girls would practice their stitching and their alphabet. Parents really did put them on display like this, to show what their daughter had made and how accomplished their little girl was.

In our parlor, we also have two globes on display: celestial (mapping the heavens) and terrestrial (mapping the land). The Georgians loved symmetry and it was very in vogue to have not one but two globes on display, if you could afford it. Not just to show off, but also, you know, symmetry. The globes at The Georgian House are from 1810. As I mentioned earlier, globes were constantly being updated, as new landmasses were being ‘discovered’ and added to the map, and as boundaries of nations changed. So sometimes it’s difficult for us to date globes accurately, because they were re-papered to be kept up to date.

The Terrestrial Globe at The Georgian House

There are so many things to see in the parlor alone, and many of them I’ve not mentioned here! If you’re curious to see more, please do come and visit us at The Georgian House. I work every other Saturday (and will be there this weekend, September 26th) if you’d like to come and say hi! They’re operating at reduced hours and there’s a pre-booking system in place – you can book your tickets to visit here!

In the upcoming weeks I’ll be focusing on other rooms – including the kitchen and the bedroom – so if there are any specific things you’re curious about, in terms of those rooms, let me know and I can try to highlight them in those posts.

Recommended Reading:

PS Today’s Featured Image is ‘A Tea Party’ by Joseph van Aken. Photo Credit: The Manchester Art Gallery

‘Madeira Mondays’ is a series of blog posts exploring 18th century history and historical fiction. Follow the blog for a new post every Monday and thanks for reading!

 

 

 

 

 

 

 

 

Madeira Mondays: A Visit to the Highland Folk Museum

Nestled in the Cairngorms National Park, about an hour east of Fort William, you’ll find the Highland Folk Museum, a site dedicated to exploring domestic life and culture in the Scottish highlands. It’s an 80 acre open-air museum full of replica buildings, recreating different eras of Scottish history from the 1700’s through to the 1960’s, including an entire 18th century village (where an episode of Outlander was shot).

I’m a sucker for these sorts of open-air, living history museums and I’ve visited several of them: Colonial Williamsburg in Virginia, USA, Skansen in Stockholm, Sweden, and the ATSTRA Museum in Transylvania, Romania (more on that another time perhaps). I’m so passionate about social history (the academic way of saying the study of how people lived), so on our recent trip to the Highlands, we decided to stop off at the Highland Folk Museum to learn more about the region and its history. And I’m so glad we made the stop because, honestly, this place provides quite a unique experience!

The Highland Folk Museum was the brainchild of Dr. Isabel F. Grant, who studied British folk life in the Highlands, and was inspired by the Scandinavian open air museum movement to start a museum of her own. This museum was first opened in 1944, the first open-air museum on mainland Britain.

It’s a truly unique place. First of all, the setting itself is unbeatable. 

My friend Margherita exploring the pine woods on the folk museum grounds
The recreated 18th century village, ‘Baile Gean’, Gaelic for ‘Township of Goodwill’

The 80 acres of the museum are verdant and lush, with sweeping views of the surrounding highland countryside. We visited on a sunny day, but even if you encountered typical Scottish fog or light rain, it would still be a pretty spectacular landscape to explore.

We unfortunately only had about an hour and 45 minutes for our visit and, ideally, we would have had more. We had to prioritize and since one of our party (*waves*) studies and writes about 18th century history, we knew we had to see the 1730’s village, which meant that we skipped tons of great looking stuff in other parts of the park: a recreated 1930’s sweets shop, a 19th century school house, and a post office from the 1910’s, to name just a few!

But the 18th century village was well worth seeing even if, during Covid times, it was a rather different experience, I’m guessing, than what you’d usually get.

My understanding is that there are typically several costumed historical interpreters about, showing you how to make crafts or telling you more about life from the period they are portraying, but, in this case, we were met with only one (very knowledgable and friendly!) interpreter in the recreated village.

Also, I think that more of the buildings are typically open, but several had to be shut due to (as I understood it) there not being proper ventilation inside them, to comply with safety standards. Buildings were made back then to keep in heat, and these ones had no windows, which would have been good for insulation, but not so good when you’re trying to prevent the spread of a pandemic!

Still, despite these necessary restrictions, it was very cool to see ‘Baile Gean’ and how the museum had depicted rural life in the highlands in the 18th century.

The buildings were made from natural materials, as they would have been then: timber frames, walls of turf, a thatched roof of locally collected vegetation like heather, bracken or reeds.

One example of a 1730’s house. This was one of the larger houses, which was interpreted as the home of the Tackman, or the principal tenant. The Tackman collected rent from the other tenants to pay to the local laird, their landlord.
Another home in the village. This one was built into the side of the hill.
Me outside another house in Baile Gean. (I was wearing a mask, but took it off briefly for the pic, since we were outside.)

I’d definitely love to come back and see this village again, because I do think that it would be a very different experience. For this trip, I’d purchased a guidebook at the entrance of the museum, which proved more or less essential in learning more about these buildings. If I hadn’t had that, it would have been quite difficult to figure out what I was looking at – given the lack of signs around the buildings themselves. So I’d definitely recommend grabbing a guidebook, especially if you’re visiting during Covid, when fewer interpreters will be about. The book was only a fiver and considering that entrance to the park is FREE, it’s well worth it, to get that extra bit of information.

Overall, I was surprised that my favorite thing about my visit to The Highland Folk Museum actually wasn’t the 18th century portion of the museum, but some of the 1930’s and 1950’s buildings (which were recreated in much more detail, possibly because these artifacts are simply so much easier to come by than ones from the 18th century).

The tailor’s shop was a particular highlight for me (As a side note, I’ve been watching a lot of Star Trek Deep Space Nine recently and the tailor’s shop also made me think of my favorite fictional ‘tailor’, Garak. And if you understand my Deep Space Nine reference, then you’re amazing and we definitely should be friends). The tailor’s shop was originally build by Andrew MacPhearson for his son Donald on his return, wounded, from WWI. It was recreated to look as it had in the 1930’s.

The front room of the tailor’s shop
The office/construction room of the shop

All in all, it was a fascinating visit and, as I mentioned earlier, I would love to go back and see it again. There was so much stuff I missed! If you go yourself, I’d really recommend allowing at least three hours to explore. It’s a massive property and there’s so much to discover. It would make a great day or half-day trip, if you’re staying in Fort William, like we were. Plus, it’s free to visit!

More information about the museum and how to book a time slot to visit can be found here.

Thanks so much for reading and I hope you enjoyed seeing the photos of the trip. Let me know which elements you liked best and stay tuned for more 18th century explorations coming up, as I’ll be chatting about a visit to Culloden Battlefield in a future post!

‘Madeira Mondays’ is a series of blog posts exploring 18th century history and historical fiction. Follow the blog for a new post every Monday and thanks for reading!