It’s officially been six months since my second poetry pamphlet, Anastasia, Look in the Mirror, was released out into the world! And what an unusual six months it has been…
I wanted to take some time today to reflect on the unique challenges (and opportunities!) of launching a book at such a strange time and a couple of things I’ve learned along the way. I hope this will be helpful to fellow writers who are launching their own books or creative projects right now and interesting to those who want a bit of a peek into the process of releasing a poetry book.
I won’t be talking too much here about what the book is about – for more on that, check out this blog post from July! But these are poems about lots of things I’m interested in: history, art, desire, the unexpected places where the personal meets the political. They’re mostly funny and lighthearted. Gutter Magazine’s Calum Rodger generously described it like this in a review:
Carly Brown’s Anastasia, Look in the Mirror (…) intersperses sharp and funny patriarchy take-downs with ekphrastic poems on the Scottish Colourists. It’s a brilliantly-crafted assemblage full of wit, warmth and panache, ‘a suitcase so full / it would not / shut’.
The book came out with Stewed Rhubarb in July 2020. Stewed Rhubarb are a Scotland based independent press which specializes in spoken word poetry. So a lot of their poets (myself included) have a strong performance background and either write for the stage or have performed extensively. It was published as part of a series of four pamphlets, all from emerging poets based in Scotland (like myself!), called The Fellowship of the Stewed Rhubarb. The whole project was the result of a successful crowd funding campaign in late 2019 and the books were all set to launch throughout 2020 and into early 2021. Mine was the second book in the series, the summer book.
Prior to the pandemic, Stewed Rhubarb had planned launches for my book in both Edinburgh and Glasgow in July 2020. AND there would have been launches for the other three books too AND there was meant to be a big party in December 2020 for all of the generous Fellowship subscribers who supported the whole project, as well as our friends and family. However, as you know, 2020…happened. All of those in-person celebrations had to be cancelled.
I was at a bit of a loss, quite honestly, about how I was going to be able to share this book with people – especially when a lot of the way that I’ve sold books (and found new readers) in the past has been at live performances. I’m a performance poet, after all!
So how the heck were we going to help people find this book?
First of all, luckily Stewed Rhubarb has an in-house publicist, the lovely Charlie Roy, who took the helm for the social media side of promoting the book (I am not the biggest fan of social media, quite honestly, although I do think it can be a useful tool. I’m not on Facebook, I’ve not updated my Instagram in about five years, and while I do have a Twitter profile, I often feel like that website drains my soul, distracts me from writing, makes me feel anxious and a whole host of other negative things. Basically, I use it sparingly!)
So what I set to work doing was finding online places where I could share poems from the book, and actually connect with and talk with readers live – which is what I love to do most of all! I reached out to organizations, universities, and festivals I’d performed with before, and to organizations that I saw were doing very cool online events. (This is something I’d recommend, if you’re launching your own project right now. Think about what resources/connections you already have and also spend some time researching online events/festivals/places you might want to be part of – there might be more than you think!)
Happily, there were many events popping up throughout the latter half of 2020, and I was able to share poems from the book quite often, perhaps more often than I would have if it had just been at local in-person events.
And, on the plus side, I got to share the book at international events and festivals that I probably would not have attended in-person, just out of logistical challenges, such as the readings that I gave at the American University of Dubai!
I’m grateful for the ingenuity of so many event organizers, who rapidly transitioned their events online. Here are some of the places where I’ve shared poetry from Anastasia in the last several months…
The Anastasia Virtual Book Tour
(Or, events where I’ve READ poems from the book, in the last six months)
- ‘Meet the author with Carly Brown’, University of St Andrews’ Countdown to St Andrews online program for first years, a half-hour poetry performance and then Q and A with St Andrews university students, organized by the university library (August 28, 2020)
- Sonnet Youth #13 (September 13, 2020), an online performance with the other three other poets in the Fellowship of the Stewed Rhubarb (You can watch this entire event online here!)
- London Center for Interdisciplinary Research’s Poetry Conference at the University of Oxford, ‘International Poetry Reading’ (September 20, 2020)
- The Stay-at-Home Fringe Festival, University of Glasgow’s Creative Writing department Open Mic night (October 9, 2020), invited to share poems from Anastasia alongside current members and alumni of the University of Glasgow
- Inklight: The University of St Andrews’ Creative Writing Society (October 12, 2020), a half-hour performance and then Q and A with Inklight members
- ‘A Poetry Evening with Dr Carly Brown’ at the American University of Dubai (November 24, 2020), an hour long poetry reading then discussion with the students
Aside from performances, another good thing that happened after the launch of the book was that a poem from it – ‘En Plein Air’ – was republished in Scotland’s national newspaper, The Scotsman, as their ‘Poem of the Week’ in July. The poem is an ekphrastic poem, responding to a work of visual art, and the publication was accompanied by a very good description of what ekphrastic poetry is.
Two poems from Anastasia have also been re-printed in the American University of Dubai’s Poetry Journal, Indelible, in their issue on the theme of ‘Escapism’ (god knows, we all need a bit of escapism right now!). You can read the whole journal here. AND I’ve recently been approached by another writer about translating one of the poems from Anastasia into Spanish – so I’ll share more about that when I can!
It’s also gotten some very positive (and beautifully written) reviews, such as the one I mentioned earlier from Gutter, as well as this lovely piece in Sphinx Review.
Another delight, aside from these publications, reviews, and meeting people through the online performances, was seeing pictures and hearing stories of people reading the book in locations all over the world. While I’m not able to travel myself right now, Scotland is in serious lockdown, it made me so happy to hear friends from all over reaching out and telling me that they were reading the book. They sent me pictures of the book in their homes, with them at the park or on vacation, and told me stories of how they read it aloud to one another on camping trips. One friend shared that she had read a poem each morning with her morning coffee.
These stories were a joy and made me feel like I was connecting with people at a time when that’s what we all so desperately needed! It also made me happy that the poems could travel – even though I could not.
I don’t have any overarching take-away from this, except to say that I’m grateful to everyone who has bought and read the book, and everyone who has invited me to perform at their events. While it is not the same performing over Zoom, it has opened up a whole new world of possibilities and I’ve certainly met new people, from all over the world, that I would not have encountered otherwise. And, in such a dark year, that was a beautiful and surprising thing.
I hope that Anastasia has brought some joy, entertainment, and even companionship to those who have read it. While most of our worlds are physically small right now, books can open up our intellectual worlds infinitely and remind us that we’re not alone.
Have you read ‘Anastasia, Look in the Mirror’ and, if so, which poem was your favorite?
Fellow writers and artists, do you have any tips for me on how you’ve been sharing work with audiences during this unusual time?
If you’d like to grab a copy of Anastasia, Look in the Mirror, the easiest way to do so is to order it online on the publisher’s website here (they ship internationally!!)
- My blog post from July 2020 about launching the book
- A blog post where I explore the historical research behind one of the poems, which is about the Salem Witch Trials (this one is perfect if you want more of the nitty gritty of writing one of the poems!)
- Lots more general info about the book and what it’s about here
- My editor Dr. Katie Ailes wrote a really fascinating post about the processes of editing the pamphlet together, you can find that on her website here
- Stewed Rhubarb’s website, where you can find lots of excellent poetry pamphlets and full-length collections (if you enjoyed mine, you’ll probably find many others there that are right up your alley!)
Stay tuned for more ‘Writing Reflections’ this year, my friends, as well as more of my ‘Madeira Mondays’ series about 18th century history and historical fiction reviews. Please do subscribe to the blog so that you don’t miss any of that – as well as for news of upcoming performances and publications. Hope you’re having a good day!