A couple weeks ago, a friend of mine came to Edinburgh for a visit and suggested that we watch Lena Dunham’s movie Catherine Called Birdy. She knew I’d enjoy the movie because a) it’s historical fiction b) it’s a comedy c ) it’s about sassy young ladies. She was right, of course. I did like the movie. But not just because it ticked all of those boxes. I liked the film because it was actually funny and warm and kind of quietly transgressive in a way I wasn’t expecting.
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Madeira Mondays: Marie Antoinette (2006) revisited
It’s hard for me to describe how excited I was when I first saw the trailer for Marie Antoinette directed by Sofia Coppola. I was about 15 when the trailer came out and I was riveted: cool punky modern music mixed with 18th century fashion and this glamorous story about a doomed queen in revolutionary France. Sign me up!! Remember, this was many years before Hamilton and while I totally found the 18th century cool and exciting and hip, I don’t think that was the consensus and a lot of period pieces I’d seen felt really staid and kind of stodgy. The idea of a fun, edgy, period film with a rock-and-roll vibe about, and presumably for, young people was really, really exciting.
When I saw the film though, I was disappointed. Assuming my expectations might have been too high, I watched it again a few years later: still didn’t like it. Now, when I was at home sick with a cold (not Covid btw if you’re wondering. I tested a lot), I decided that I’d give it a THIRD try, over 15 years after its original release, to see if the film, which had failed to win over fifteen-year-old Carly could win over thirty-year-old Carly. The answer was, sadly, no. It didn’t.
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