Madeira Mondays: Benjamin Franklin and the ‘respectable’ turkey

There’s a song in the musical 1776, which features Benjamin Franklin, Thomas Jefferson and John Adams arguing about what what bird should be used as America’s national symbol. Adams suggests it should be an eagle, Jefferson suggests a dove, and Ben Franklin suggests…a turkey. This song – called ‘The Egg’ – is such a delight, like the rest of the musical. There are some lovely three-part harmonies from the three men as they bicker good-naturedly about what bird it should be.

Adams argues passionately for the eagle, saying it’s a ‘majestic bird’. Franklin disagrees, saying the eagle is ‘a scavenger, a thief and a coward, a symbol of over ten centuries of European mischief.’

‘The turkey is a truly noble bird,’ Franklin argues in the song. ‘Native American, a source of sustenance for our original settlers, an incredibly brave fellow…’

Of course, in real life, as in the song, it was decided that the bald eagle would be the national bird. But, with Thanksgiving coming up, this song got me wondering if Franklin really did want our national bird to be a turkey…rather than an eagle?

Well the short answer, my friends, is that it’s a myth.

The Franklin Institute writes this:

The story about Benjamin Franklin wanting the National Bird to be a turkey is just a myth. This false story began as a result of a letter Franklin wrote to his daughter criticizing the original eagle design for the Great Seal, saying that it looked more like a turkey. In the letter, Franklin wrote that the “Bald Eagle…is a Bird of bad moral Character. He does not get his Living honestly…[he] is too lazy to fish for himself.”

However, while the story as a whole might be a myth, as you can see from that quote, Franklin didn’t seem to like eagles very much, calling the eagle a bird of ‘bad moral character’ because he’s a scavenger. Franklin also writes that the turkey is “a much more respectable Bird, and withal a true original Native of America…He is besides, though a little vain & silly, a Bird of Courage.” So, the Franklin Institute explains, while Franklin didn’t suggest the turkey for one of American’s national symbols, he did defend the turkey against the bald eagle.

Franklin goes so far as to say: ‘For my own part I wish the Bald Eagle had not been chosen the Representative of our Country.’

A painting featuring turkeys, and other birds, the 17th century, accessed via Wikimedia

So 1776 gets it ‘wrong’ in the sense that Franklin didn’t actually suggest the Turkey for the national bird, BUT they also get it quite right in the sense that Franklin did say turkeys would have been a better symbol for the country. I’m not sure how seriously we should take Franklin’s musings – it seems like he was, in typical Ben Franklin fashion (and fashion of the time), kind of intelligently waffling. But maybe he was actually disappointed, I don’t know!

A lot of the lyrics of the song ‘The Egg’ are quite evidently paraphrases from Franklin’s letter to his daughter. For example, in ‘The Egg’, fictional Franklin calls the turkey ‘an incredibly brave fellow who would not flinch at attacking a regiment of Englishmen single-handedly.’ And, in the real letter, Franklin says the turkey is ‘a Bird of Courage, and would not hesitate to attack a Grenadier of the British Guards who should presume to invade his Farm Yard with a red Coat on.’ The writers are clearly playing off the real quote. (And I love this image of a turkey attacking a British red coat – it’s just so goofy and also so Ben Franklin to me somehow!)

So, as with most historical fiction, it’s quite hard to draw clear cut lines between something being ‘accurate’ and ‘inaccurate’. This small example from 1776 just goes to show that something can, in a way, be accurate and inaccurate at the same time!

I wish a happy Thanksgiving to my American readers – whether you eat turkey or not. If you do, you can tell your family about this story! (I don’t eat meat, as I mentioned in my last blog post, so I usually eat something called ‘Tofurkey’ if I’m celebrating Thanksgiving/Christmas in the USA – it’s actually really good! I know that sounds impossible, given the silly name, but it is! This year I’m in Scotland and will be having a nut roast, which is another good option for those of us who don’t wish to eat Ben Franklin’s ‘respectable’ bird!)

‘A Turkey in a Landscape’ by Peter Wenceslaus, accessed via Wikimedia

What do you think about the turkey vs. the eagle as a national symbol? What is the bird (or national animal/flower etc.) of your country/state and do you think it was a good pick?

PS If you find yourself in the mood for some poetry tomorrow, I’ll be doing a reading at the American University of Dubai tomorrow (Tuesday November 24). It’s at 6 pm Dubai time, so you’d have to calculate what time that is for you! It’ll be a one hour poetry reading over Zoom, and it’s free and open to the public. I’ll mostly be reading poems out of my new poetry pamphlet published this summer, Anastasia, Look in the Mirror. If you fancy coming along – here is the Zoom registration link!

Further Reading/Viewing:

Today’s Featured Image is Alfred Schönian (1856-1936) — ‘Colorful Feathered, 1936’, accessed via Wikimedia.

‘Madeira Mondays’ is a series of blog posts exploring 18th century history and historical fiction. Follow the blog for a new post every Monday and thanks for reading!

 

Madeira Mondays: Beyond the Mask film review

I have spoken in the past about how it is a shame that there are so few books and films set during the Revolutionary War. As a lover of this time period, I am always on the lookout for new ones. So when I heard about Beyond the Mask, a swashbuckling Revolutionary War era film released in 2015, I was curious to see it. And, oh boy, I was not prepared for what was in store!

Wikipedia describes Beyond the Mask as a ‘Christian historical action-adventure’, and it follows the life of a former assassin, William Reynolds (Andrew Cheney), who wants to redeem himself and start a new life. Through a series of overly complicated mishaps which I won’t bother to explain, he finds himself in the American colonies, helping the Americans fight for independence from Great Britain while dressed as a masked vigilante called ‘The Highwayman’. Who gives Reynolds this moniker? Why, no other than Benjamin Franklin himself! There is a pretty hilarious scene where Ben Franklin, who runs the local printing press, is trying to figure out what to call this new, mysterious vigilante running around Philadelphia and says: ‘We’ll call him what he is! A highwayman.’ This makes no sense. Reynolds is not in any way a highwayman (a robber who stole from travelers, usually on country roads). But this is just one confusing detail in a film which is full of confusing details, bonkers plot twists, and tons of explosions.

beyond the mask

But, I will tell you this right now: I really enjoyed watching Beyond the Mask. It is like a zany medley of several other, better films (mostly Zorro, but there’s a bit of V for Vendetta in there and the score sounds like a crappier version of Pirates of the Caribbean). Sure, it is wildly historically inaccurate. Sure, it moves along at a break-neck pace and I was often confused about what was going on. Sure, the characters were completely empty and devoid of ANY personality (why do the main two people fall in love?? What do they like about each other?). And sure, the theology in it never makes a ton of sense or seems to really matter for the plot. BUT it was super silly and super fun. Especially John Rhys-Davies, who plays the one-dimensional villain character whose evil scheme is (spoiler alert) to blow up the Continental Congress using an electrical generator that he stole from Ben Franklin and has hidden in an underground submarine hideout! This stuff is gold.

beyondthemask

Our leads, Kara Killmer as Charlotte Holloway and Andrew Cheney as William Reynolds run away from a flaming windmill (some of the worst CGI in the film)

I expected this to be more of a wannabe Les Miserables, a story which has an overtly Christian moral about redemption. In Les Miserables, Jean Valjean, a criminal, is given a second chance of life when a priest shows him kindness and the whole book (and film and musical) is about the redemptive power of kindness and love. I think that might have been what director Chad Burns was going for here (a story about how love transforms a man from a murderous assassin to a guy who just beats people up sometimes), but all of that is lost in the sheer weirdness of the drama and the many wannabe Jackie Chan fist-fight sequences.

I’m not even going to touch on the historical accuracy of this film, but I will mention that, just like The Patriot (which I discussed here), it seems to think that only rebels were tormented and harassed by loyalist citizens and British soldiers, whereas in reality often it was those who remained loyal to the King who faced violence. But that is the least of the movie’s issues and if you’re going into it looking for any sort of historical accuracy, or even attempts at historical accuracy, then you’re looking in the wrong place, my friend.

Still, there are a couple of things that work well in the film (besides Rhys-Davies). The costumes are largely period-appropriate and look pretty good! Also I was impressed with the sets. They are obviously working with a limited budget and the 18th century Philadelphia set was particularly impressive.

So would I recommend this deeply silly movie? If you enjoy this sort of thing, then 100%! I watched it with two pals who enjoy films like this as much as me and we had a blast, giggling at all the absurdities and frequently pausing the film to ask: ‘WHAT JUST HAPPENED?’

If you are looking for an ambitious or thought-provoking or well-researched film about this period, then I would direct you to something like The Witch, or perhaps the John Adams Miniseries. But if you’re looking for a film where the main character exclaims things like ‘I live in a web of lies!!’ and leaps around in the darkness like Batman, then you’re going to enjoy Beyond the Mask. I know that I did.

Recommended Reading/Viewing:

Beyond the Mask directed by Chad Burns (so long as you know what you’re in for!)

Film Review: Beyond the Mask in Variety

‘Madeira Mondays’ is a series of blog posts exploring Early American history and historical fiction. I’m not a historian, but an author and poet who is endlessly fascinated by this time period. I am also currently writing/researching a novel set during the American Revolution and recently finished a Doctorate of Fine Art looking at how creative writers access America’s eighteenth-century past. Follow the blog for a new post every Monday and thanks for reading!